Parts Per Inch

частей на квадратный дюйм

частей на кубический дюйм

A loin cloth native woven on hand looms in Burma, and worn by men and women. They are in many designs and qualities and all are about 34-in. to 36-in. wide and 72-in. long. Various names are given to the cloths according to the design. Such as Akwet, Bala, etc.; also see Lungi (1) ———————— The shoulder or upper cloth worn by males in India. More strictly this is worn by Mohammedans and the Dhootie and Dhotee by Hindus. The cloth is of silk and cotton with gold thread embroidery at times. Made at Tatta, in Suidh, and other parts of India (see Lungi). The Indian cloth is generally 23-in. finished width and 4¹/₂ yards long. The natives cut a length into two, and stitch the two pieces together side by side. The African style is 32-in. to 40-in. wide and of several lengths from 2 yard upwards. Made about 64 ends and 56 picks per inch, 32's T., 38's W., cotton. The borders have usually double the number of ends per inch, and in this cloth there will be 112 ends per inch in the border. All styles are checks, rather broad in design and of several colours, with a broad border at one selvedge. The border is all one colour and the yarns are crammed in the reed. The cloth is used for men's dress. The loongyes made for Mohammedan use are made from 29-in. to 44-in. wide and 2 yard to 9¹/₂ yards long. Mercerised cotton, rayon and cotton and silk mixtures are used in the better qualities. The cheaper cloths are cut into two parts by the natives and stitched side by side. When borders are required they are made in colour. Loongyes are also used as a head-dress in the Punjab and other parts of India and native woven from fine yarns. A special " Chini " style is made from alternate blue and white yarn for Mohammedan use.

The shoulder or upper cloth worn by males in India. More strictly this is worn by Mohammedans and the Dhootie and Dhotee by Hindus. The cloth is of silk and cotton with gold thread embroidery at times. Made at Tatta, in Suidh, and other parts of India (see Lungi). The Indian cloth is generally 23-in. finished width and 4¹/₂ yards long. The natives cut a length into two, and stitch the two pieces together side by side. The African style is 32-in. to 40-in. wide and of several lengths from 2 yard upwards. Made about 64 ends and 56 picks per inch, 32's T., 38's W., cotton. The borders have usually double the number of ends per inch, and in this cloth there will be 112 ends per inch in the border. All styles are checks, rather broad in design and of several colours, with a broad border at one selvedge. The border is all one colour and the yarns are crammed in the reed. The cloth is used for men's dress. The loongyes made for Mohammedan use are made from 29-in. to 44-in. wide and 2 yard to 9¹/₂ yards long. Mercerised cotton, rayon and cotton and silk mixtures are used in the better qualities. The cheaper cloths are cut into two parts by the natives and stitched side by side. When borders are required they are made in colour. Loongyes are also used as a head-dress in the Punjab and other parts of India and native woven from fine yarns. A special " Chini " style is made from alternate blue and white yarn for Mohammedan use.

The shoulder or upper cloth worn by males in India. More strictly this is worn by Mohammedans and the Dhootie and Dhotee by Hindus. The cloth is of silk and cotton with gold thread embroidery at times. Made at Tatta, in Suidh, and other parts of India (see Lungi). The Indian cloth is generally 23-in. finished width and 4¹/₂ yards long. The natives cut a length into two, and stitch the two pieces together side by side. The African style is 32-in. to 40-in. wide and of several lengths from 2 yard upwards. Made about 64 ends and 56 picks per inch, 32's T., 38's W., cotton. The borders have usually double the number of ends per inch, and in this cloth there will be 112 ends per inch in the border. All styles are checks, rather broad in design and of several colours, with a broad border at one selvedge. The border is all one colour and the yarns are crammed in the reed. The cloth is used for men's dress. The loongyes made for Mohammedan use are made from 29-in. to 44-in. wide and 2 yard to 9¹/₂ yards long. Mercerised cotton, rayon and cotton and silk mixtures are used in the better qualities. The cheaper cloths are cut into two parts by the natives and stitched side by side. When borders are required they are made in colour. Loongyes are also used as a head-dress in the Punjab and other parts of India and native woven from fine yarns. A special " Chini " style is made from alternate blue and white yarn for Mohammedan use.

The shoulder or upper cloth worn by males in India. More strictly this is worn by Mohammedans and the Dhootie and Dhotee by Hindus. The cloth is of silk and cotton with gold thread embroidery at times. Made at Tatta, in Suidh, and other parts of India (see Lungi). The Indian cloth is generally 23-in. finished width and 4¹/₂ yards long. The natives cut a length into two, and stitch the two pieces together side by side. The African style is 32-in. to 40-in. wide and of several lengths from 2 yard upwards. Made about 64 ends and 56 picks per inch, 32's T., 38's W., cotton. The borders have usually double the number of ends per inch, and in this cloth there will be 112 ends per inch in the border. All styles are checks, rather broad in design and of several colours, with a broad border at one selvedge. The border is all one colour and the yarns are crammed in the reed. The cloth is used for men's dress. The loongyes made for Mohammedan use are made from 29-in. to 44-in. wide and 2 yard to 9¹/₂ yards long. Mercerised cotton, rayon and cotton and silk mixtures are used in the better qualities. The cheaper cloths are cut into two parts by the natives and stitched side by side. When borders are required they are made in colour. Loongyes are also used as a head-dress in the Punjab and other parts of India and native woven from fine yarns. A special " Chini " style is made from alternate blue and white yarn for Mohammedan use.

The shoulder or upper cloth worn by males in India. More strictly this is worn by Mohammedans and the Dhootie and Dhotee by Hindus. The cloth is of silk and cotton with gold thread embroidery at times. Made at Tatta, in Suidh, and other parts of India (see Lungi). The Indian cloth is generally 23-in. finished width and 4¹/₂ yards long. The natives cut a length into two, and stitch the two pieces together side by side. The African style is 32-in. to 40-in. wide and of several lengths from 2 yard upwards. Made about 64 ends and 56 picks per inch, 32's T., 38's W., cotton. The borders have usually double the number of ends per inch, and in this cloth there will be 112 ends per inch in the border. All styles are checks, rather broad in design and of several colours, with a broad border at one selvedge. The border is all one colour and the yarns are crammed in the reed. The cloth is used for men's dress. The loongyes made for Mohammedan use are made from 29-in. to 44-in. wide and 2 yard to 9¹/₂ yards long. Mercerised cotton, rayon and cotton and silk mixtures are used in the better qualities. The cheaper cloths are cut into two parts by the natives and stitched side by side. When borders are required they are made in colour. Loongyes are also used as a head-dress in the Punjab and other parts of India and native woven from fine yarns. A special " Chini " style is made from alternate blue and white yarn for Mohammedan use.

The shoulder or upper cloth worn by males in India. More strictly this is worn by Mohammedans and the Dhootie and Dhotee by Hindus. The cloth is of silk and cotton with gold thread embroidery at times. Made at Tatta, in Suidh, and other parts of India (see Lungi). The Indian cloth is generally 23-in. finished width and 4¹/₂ yards long. The natives cut a length into two, and stitch the two pieces together side by side. The African style is 32-in. to 40-in. wide and of several lengths from 2 yard upwards. Made about 64 ends and 56 picks per inch, 32's T., 38's W., cotton. The borders have usually double the number of ends per inch, and in this cloth there will be 112 ends per inch in the border. All styles are checks, rather broad in design and of several colours, with a broad border at one selvedge. The border is all one colour and the yarns are crammed in the reed. The cloth is used for men's dress. The loongyes made for Mohammedan use are made from 29-in. to 44-in. wide and 2 yard to 9¹/₂ yards long. Mercerised cotton, rayon and cotton and silk mixtures are used in the better qualities. The cheaper cloths are cut into two parts by the natives and stitched side by side. When borders are required they are made in colour. Loongyes are also used as a head-dress in the Punjab and other parts of India and native woven from fine yarns. A special " Chini " style is made from alternate blue and white yarn for Mohammedan use.

The real pongee is woven in Northern China on hand looms from the silk of wild cocoons. Almost always of pale or dark ecru, but sometimes dyed in colours to meet a fashion. The warp is always finer than the weft and more even, the weft having nubs characteristic of wild silk yarn which forms a crossrib effect with the many nubs scattered in the fabric. The name means " own loom " in Chinese, signifying that the piece was woven on a house's own loom in guarantee of which certain Chinese characters are stamped on the cloth. Another explanation of the name is that it derives from pang-chih (Cantonese, " pung-che ") which is the name of the wheel on which the silk is reeled from the cocoon. A very fine cloth is also made by the natives of many parts of India from natural coloured silk warp and weft, plain weave, very fine sett, such as 150 ends and 150 picks per inch. The Lancashire pongee is made from the best of cotton and mercerised, dyed and schreinered. A variety is 35-in., 120 yards, 98 ends and 104 picks per inch, 80's warp, 120's weft. British silk pongees are "woven from yarn in its gummed state and degummed after weaving. When dyed and finished the handle and brilliance of the cloth are excellent. A typical cloth is made 80 ends and 80 picks per inch, 26 denier singles warp, 90 denier singles weft. Pongees are very fine fabrics, but many muslins are called pongees and the quality varies according to the market, such as 98 ends and 104 picks per inch, 80's warp, 120's weft, all Egyptian, home trade; 74 ends and 74 picks per inch, 60's warp, 60's weft, all Egyptian, South America; 60 ends and 60 picks per inch, 34's warp, 32's weft, all American, Java and China.

Silk yarns are composed of a number of silk filaments twisted together, usually 8 to 12 to form a thread. The filaments have a natural coating of gum which gives strength and elasticity, but reduces lustre. The gum must be boiled off if lustre is wanted, which may be done either in the yarn state or when woven in cloth. Silk yarns are divided into two classes, " thrown silk" and " spun silk," the first being yarns that are made by the processes of reeling and throwing, and the second consisting of yarns spun from waste silk. Thrown Silk, or Net Silk comprises organzine and tram yarns, organzine being made from the most perfect cocoons and used for warps. Tram is made from the inferior cocoons and used as weft. All silk contains a proportion of natural gum, and the amount of gum removed give rise to the following terms: - Boiled-off Silk - Yarn which has had all the gum removed, and has the highest sheen (see Boiled-off). Hard Silk - Yarn that has not undergone any boiling-off process. Ecru Silk - Yarn boiled to remove about 3 per cent to 5 per cent of the gum by light washing in lukewarm water. Souple Silk - Yarn boiled to remove about one-sixth of the gum. Bengal Silk - See Bengal Silk. Berlin Silk - A silk yarn made for fancy hand work. It is produced by doubling from 4 to 8 twisted singles grege by a right-hand twist; then again doubling three of these with a left-hand twist. The thread is very round, smooth, and hard, also known as cordon-net. Blond Silk - A special silk yarn made by doubling three grege threads left-hand twist, then doubling three of these together with right-hand twist. Brights - Silk which has been entirely de-gummed in the skein and then dyed. Bourette, Bourrette Yarn - A low grade of silk yarn made from the waste produced by schappe spinning. Canton Silk - See Canton Silk. Chiffon Twist - Single raw silk threads, 50 or more turns per inch. Used for chiffons, crepe-de-chines, etc. Crepe-de-Chine - Hard twist tram silk, about 40 to 70 turns per inch. Made from 3 to 5 raw silk ends. Usually woven as weft. Crepe Georgette - Hard twist raw silk usually made from two threads 13/15 deniers, 50 or more turns, both right and left twist, used for crepe georgettes as warp and weft. Crepe Twist - This is tram silk hard twisted, having from 30 to 100 turns per inch. Used for making fabrics of a crepe character both all silk and mixtures. Cordonnet Silk - See Berlin Silk; also under Cordonnet. Eri Silk - A raw silk obtained from the wild silkworm " Attacus ricini." Flock Silk - A general term used to indicate silk yarns made from the outer uneven parts of the cocoon. Floss Silk - Used principally for embroidery purposes. It is a thrown silk and made by doubling two thick raw singles with right-hand twist together with a left-hand twist. Galette Silk - A coarse silk yarn made from waste. Grenadine Silk - Organzine silk with a large number of turns per inch. Jaspe Silk - Silk warps printed in the hank. Ombre Silk - Skein dyed yarn in a gradation of shades, which run in sequence of depth of colour, varying from five up to forty shades. Schappe Silk - A spun silk yarn which is made from silk degummed by the maceration process used on the Continent (see Schappe Silk). Soie Ondee - See Soie Ondee. Silk Yarns - In addition to the foregoing yarns see under the following terms for further silk yarns: - Cable, Cevennes, Chappe, Chine, Clochepeid, Crocheting, Crue (see Ecru), Cuite Cusier, Cusirino, Degummed, Docken, Doup-pion. Ecru, Embroidery, Etschingo, Filature, Filature a 1'Europeune, Filet, Florette, Fringe, Goffered, Grege, Gum Hainin, Hard, Kahing, Knitting, Lousy, Marabout, Maybasch, Melange, Mele, Mi-cuit, Minchcw, Nett, Noil, Organzine, Ouvrees, Oval, Pearlina, Pel, Pelo, Poie, Pure dye Silk, Raw (see Grege), Re-reels, Retorse, Senegal, Sewing, Simonita, Soft Singles, Soie Ondee, Souple, Spun, Steeped, Strafilato, Stumba, Thrown, Tors San File, Tram, Tramette, Tsatlees, Tussah, Twist, Washed, Zaguri.

- block number
- Brinell hardness number
- call number
- check number
- class number
- code number
- control number
- critical number of teeth
- current part number
- data sequence number
- dual number
- error number
- feed cam number
- gage number
- harmonic number
- ident number
- identification number
- instruction set number
- job number
- lot number
- magazine number
- material number
- maximum number of plies
- minimum number of plies
- multimachining number
- number of axial crossover
- number of cutters
- number of D/A bits
- number of degrees of freedom
- number of fatigue cycles
- number of feed changes
- number of operations in one pallet setting
- number of parts per index
- number of pieces per tool adjustment
- number of product kinds
- number of quantization levels
- number of resolvable spots
- number of revolutions per minute
- number of setups
- number of spindle speeds
- number of starts
- number of stress cycles
- number of strokes per minute
- number of teeth in crown gear
- number of threads per inch
- number of threads
- operation number
- order number
- quote number
- rack number
- recording number
- reference number
- rejection number
- representative number
- requisite number of holes
- resident number of parts
- Rockwell hardness number
- Rockwell number
- scoring criterion number
- selected number of strokes
- serial number
- set number
- Shore hardness number
- sieve screen number
- slot number
- specified number
- targeted machine-tool number
- tool code number
- tool identification number
- unspecified number
- Vickers hardness number
- Vickers number
- wave number
- whole number
- works order number

A very stout twill cloth woven with hard-twisted yarns, generally cotton all through, although wool is sometimes used. It is used chiefly for boot and bag linings when of the twill weave. This style of cloth when figured is used for church furniture. When dyed and of plain weave it is shipped to parts of South America as " Las tings " usually with a stiff glaze finish, and used as trouserings by the natives. Made in various widths and qualities. A popular quality is 24-in., 64 ends and 60 picks per inch, 20's warp, 24's weft. A mixture cloth is made in the five-end satin weave, with 104 ends and 68 picks per inch, 2/50's worsted warp and 16's or 24's cotton weft. The term originally meant a woollen fabric made of combed wool, having two- or three-fold warp and single weft, made 18-in. wide and dyed black.

(1) Wool sorting term for the stained parts of the fleece, such as the legs and the whole edge of the fleece. (2) Rag sorting term for rags of women's dress goods and men's coat linings containing cotton and wool. ———————— A cotton cloth used for ladies' underwear. In the finer makes the plain weave is used, the warp is all colour in stripes and the weft is usually coloured. An average cloth has 88 ends and 72 picks per inch, 32's warp, 32's weft. The heavier makes are generally sateen weave, also with all colour warp in stripes in qualities about 92 ends and 52 picks per inch, 34's warp, 16's to 24's weft. This heavy cloth is much used by market and field workers as an outer skirt.

A small instrument used for counting the number of threads to the inch in a fabric. The Manchester Testing House method is as follows: - The glass is placed in such a position that the extreme edge of the first thread can only just be seen; this is counted as the first thread. If the actual number of threads per inch is required, there is no better method than to measure off six inches, and count all the threads from end to end. This can be done under a glass, marking each tenth thread as a check upon the result; the ink marks should be at equal distances apart if the counting is correct, and in other ways this method facilitates correctness. At the, Manchester Testing House ten counts of reed or pick are generally made from different parts of the cloth, and the average of these is accepted.

Are reeds not in general use, and are made to give different numbers of ends per inch in different parts, say 69 for 10-in at each side and 70 for centre part.

A muslin made of hand-spun yarns and woven on hand looms, in parts of India. Made about 60 X 52 per inch, 60's/60's.